Panasonic Lumix DC-GH5 S

Panasonic mirrorless cameras have long been chosen over competing models for video utilize. Superior compression and connectivity options have made the GH5 the darling of many an independent filmmaker or small corporate video studio. It's being joined by the GH5 Southward ($2,499.99, trunk only), which is aimed at videographers working nether challenging light. Its 10.2MP sensor offers a dual native ISO design for much cleaner high-ISO video than the GH5 can deliver. We've only seen some sample footage provided by Panasonic ahead of its release in February, and so we'll concur off on a terminal verdict until we've had a chance to exam it ourselves.

Design

The GH5 S uses the same chassis as the GH5. There are a few corrective changes, notably a red "South" under the GH5 badge on the front plate and a metallic red record button on the pinnacle. But the exterior design and dimensions are the same—the camera measures 3.9 by 5.5 by 3.iv inches (HWD). Information technology's a bit lighter than the GH5, at 1.4 pounds versus ane.half dozen pounds. This is because the GH5 S omits the in-body stabilization system used by the GH5. I'm a chip skeptical of this decision, as I can run into it turning off videographers looking for a small kit for low-light, handheld capture.

The GH5 S feels great in the hand. Its body is covered in textured rubber, and then you can keep a firm grip on it, and a magnesium alloy chassis sits beneath. There'due south no shortage of control buttons, including a programmable Fn6 button on the front end. On top you'll observe a Bulldoze dial to the left, a hot shoe at the center (there'due south no congenital-in flash), and the Style punch to the right of the shoe. Top control buttons include EV, Fn1, ISO, Ability, Record. A command punch and the shutter release are also up there.

In addition to an external flash unit, the GH5 S hot shoe supports the DMW-XLR1 audio adapter. It'south a $400 accessory that adds two balanced XLR sound inputs to the photographic camera. If you lot apply pro-grade XLR mics, it'due south a must-have.

Rear controls include the standard brandish, playback, and delete options, along with a button to switch between the EVF and LCD, or enable an eye sensor for automatic switching. There's besides an AF manner toggle switch, with an AF/AE Lock push button at its center, a focus joystick, a rear command bike, and several programmable buttons—Fn2 (Q.Carte du jour), Fn3, and Fn4. You too get a apartment command dial with a center Carte du jour/Set push button.

The Q.Card interface is unchanged from the GH5. It's an on-screen overlay display from which you can adjust boosted settings. It'south customizable, and then if yous aren't happy with the default fix you tin cull which options are displayed. Y'all can navigate the carte du jour using concrete controls or via touch.

The LCD is a 3-inch vari-angle design, with impact input support. It's sharp, at 1.62 meg dots, and is every bit responsive to impact every bit a flagship smartphone. Information technology flips out from the body and can face up forward, up, toward the rear, or all the style downward. If you desire to utilize the EVF exclusively, or protect the screen during ship, it can flip around then that the LCD faces in toward the photographic camera body. The electronic viewfinder is quite good also; information technology sports a large 0.76x magnification ratio and packs iii.six one thousand thousand dots of resolution, placing it up there with the all-time in this course.

The GH5 S sports the same Wi-Fi system as the GH5, then information technology can connect to an Android or iOS device for image transfer and remote command via the Panasonic Image app. The battery is rated for 440 images by CIPA, but Panasonic doesn't specify how much video information technology can record on a full charge.

In addition to the hot shoe, the GH5 South has dual SDXC menu slots, both UHS-II, a full-size HDMI connector, 3.5mm headphone and microphone jacks, and a USB-C data port. There's besides a PC sync socket for studio strobes, but its functionality is expanded. An included PC to BNC cable makes it possible to sync two GH5 S bodies together, or to sync the GH5 S to an external timecode server, to assist in multi-camera editing.

Imaging and Video

The GH5 South uses a new sensor, a 10.2MP multi-aspect ratio CMOS chip, without in-body stabilization. The low pixel density makes it a bit less appealing for photographers when compared with the 20MP GH5 and other mirrorless cameras that pack tons of resolution, like the 42MP Sony a7R Three.

The sensor does back up xiv-flake Raw capture, a first for a Panasonic Micro Iv Thirds camera. Other models, including the photo-centric G9, are limited to 12-flake quality. The reason for this is simple: there'southward less data to process in a 10.2MP image file, and then the camera tin handle the extra when capturing in Raw format.

The sensor, which incorporates a low-laissez passer filter in its design, has a load of video capabilities. It records in Movie theater 4K at up to 60fps, and at 1080p at upward to 240fps for extreme boring-movement. Information technology offers support for anamorphic lenses, although the low-resolution blueprint precludes 6K capture support—you'll want the regular GH5 for that.

The GH5 Southward sensor has two native ISO settings, as we've seen before in Panasonic's pro-grade VariCam line. The technical wizardy behind this—which involves having two different strengths of electric current to power the sensor—is best left for the engineers, only the practical results are quite useful. In function, noise is seriously cut, without sacrificing sharpness, when recording video at high ISO sensitivities.

Dissimilar the GH5, which supports Five-Log L and HLG just requires an upgrade fee to unlock their functionality, the GH5 S includes both profiles in its base cost. Both capture video with a apartment color space, giving yous more leeway to color correct, and HLG supports HDR capture.

I haven't yet shot with the GH5 Southward, simply Panasonic did testify some sample video that compared its loftier ISO output with the GH5 and Sony's 12MP full-frame choice, the a7S II. To my centre the GH5 S sample footage, shot at ISO 6400 and 12800, is much cleaner than what you get from the GH5, past more than one stop. (Panasonic claims a one.5EV advantage.)

What's more head-turning is that the GH5 Due south footage looks most as practiced as video from the a7S II, a camera with a sensor that's shut to four times the size in surface area. And the GH5 Southward shows less skew when shooting fast-moving subjects than the a7S Ii, a production of its smaller image sensor and extremely fast sensor readout.

First Impressions

Panasonic now offers iii premium mirrorless cameras. The GH5 puts emphasis on video over stills, but even so manages to capture strong images, while the G9 is designed with photography in mind, but doesn't exactly skimp when information technology comes to 4K video. The GH5 S, the priciest and nigh specialized of the trio, volition amerce still photographers looking for more resolution to make large prints, just its high ISO capabilities will attract video shooters who dearest to work with dim, bachelor calorie-free. We'll report dorsum with a total evaluation of the GH5 South's performance when information technology comes in for review.

Source: https://sea.pcmag.com/olympus-om-d-e-m10-mark-iii/18989/panasonic-lumix-dc-gh5-s

Posted by: ramseythreake86.blogspot.com

Share this post